Thursday, October 14, 2010

Nexgrill Searing Grill

DAW! INTERVIEW WITH

The following is the conversation made by the author David Berardi, alias Daw held on the occasion of the exhibition dedicated to him ...


Dear Daw, thanks for being with us!
The exhibition on display this year at the fifth edition of Bergomix, not just your complete works known as "A" Ignorance, but also deals with other cartoons like Sick, Sick, Sick, The Mysterious Duck in Japan, animals, raw, and Vignette Lov little surprises. From where you create your stories?

Yeah, like I said, some of my comics and characters prendon some inspiration from the real world, such Brullonulla follows an Internet user with the same nickname that has the same cynicism, or is Mrs. Fleccier inspired by that of the show that I saw when I attended the middle school.

always talking of your works are not only players but also actors, for example in "The Mysterious Duck in Japan", not there is only the duck, but also two other characters, a boy and a ninja.

The Mysterious Duck in Japan, was originally part of the gag Sick, Sick, Sick, a series full of completely stupid people, but has impressed the editors there was a request to do more cartoons his honor. Now the idea is to do him a world around, build character, only that it is difficult because the plot is essentially silent in the midst of which he does nothing and all the other moving.

So it is quite difficult to make the stories of the duck in Japan ...

is because he is too strong and do nothing. There Brullonulla which is strong because it has a doctorate. Then there Sbranzo that is too strong ... they're all too cool! One must always draw the characters around them to die, exploding to create dynamism.

I saw you also used the common imaginary characters also born in the 80s as the robottoni, the Chiappafantasmi ...

I grew up in the 80s, so thank goodness the imaginary reference is to ...

On another hand you can say the strips of Sick Sick Sick?

of the cartoons are created to throw in the insane stuff with very simple characters. Start simple design, then over time begin to make things more complicated, deeper and lose yourself to do shit, so it is better to draw things simple and straightforward as possible.

As ever, ever in this series the Doctor is so bad and incompetent? It 's a satirical portrait of the Italian health?

No, it's a character just simply bad. I liked to do just that, with this character and that its appearance. I do not know if they continue, there are so many characters to carry on in the series and also becomes a problem.

Also in this series from time to time to see people peeping parody of the movie world, as Stiven Siga, Alien ...

Steven Seagal is a character so stereotyped that it's a cartoon ... say, is already there and it is natural, was made, used, it was easy. However, so far I've only done a story. Instead, Mr Fleccier from there ... But it takes time to deepen and there are just too many characters. Should I start to sublet it to other people!

We talked about Sick, Sick, Sick, "A" Ignorance, The Mysterious Duck in Japan ... speaking of animals on display there are also strip the "raw Plush Animals".

Yes

And the animals who are raw? What are they?

E 'a strip in which you can put things more vulgar, earthy, humor of the bar, pee poo, those things! I wanted to kind of base instincts, if one part of the things I used to sell but dovevan be clean, the other was building up the "rotten". I used characters "pulitini" like the duck in Japan and then the characters need to do dirty increased. I liked the idea of \u200b\u200bfunny guys who kill these animals, in theory, I started with things fairly clean, there is still a commercial vein in these stories.

can be considered a parody of Disney?

The idea was to make the contrast between their gaiety and sympathy, and their being unbalanced mentally, then I've been made into children's cartoon style. Troppolino (one of the main note) is a parody, that wants to become a cartoon. Sooner or later there will be a duckling, I would call Pupparini. There was also the idea to resurrect the corpse of Walt Disney but who knows if it is legal!

You also picked up the figure of the rabbit. Instead of having the fluffy bunny rabbit you've entered a bad luck.

The fact is that if you play too much with the Fleccier, a little different if I do not have the same power. Essentially it's a rabbit with no legs leads bad luck. Me that they had suggested, however, was originally to be a ladybug, but the idea I was too disgusting.

The colors of this strips, as well as others, will you do?

I do everything myself to the computer. I'm learning to make them better but takes away the time, three hours against the time of the simple pencil and ink.

The black and white is a hallmark of your Vignette Lov. Have a special meaning?

I'll give the computer to speed. I started doing this to vent a situation negative emotional and then are liked.

Thanks for being with us!

Thanks also to all of you who have visited the exhibition and many who are attending the inauguration!
Stay tuned to these frequencies!

Leonardo Monzio Compagnoni - Artistic Director of Bergomix
infobergomix@excite.it

Tuesday, October 12, 2010

Hairdressers Colour Chart

MIRCO Pierfederici

Dear friends and dear friends of Bergomix, here is the second exclusive interview made especially for you! Happy reading!

E ' a real pleasure to have with us Mirco Pierfederici. After working on Jonathan Steele six recently come to Marvel, working first on the covers and then also on the interior, not least those comic book adaptation of the film Tron.

Can you reveal where you get your inspiration and what are your techniques?

E 'is necessary to mention that covers the interior. When I was commissioned a cover, I have always an indication of the plot or at least one or more lines is very simple when I made a request. For example for the cover of Captain America: Theatre of War, I received a full page of e-mail with a detailed description of the scene where Captain America jumped from a castle presided over by the Nazis intent to shoot him. Other times I have more creative freedom, as has happened for example with the cover of X-Men Legacy portraying Gambit, where I was called for a cool pose.



The biggest problem occurs when you are faced with forty years of covers prior to your work. Basically, the first approach is to discard a priori the most famous, not least because some are so much revenue in the minds of readers or the current culture to the point that we are on the shirts and gadgets of all kinds. Normally what you are trying to do two things. If it's a cover, you try an idea that strikes even attempting to describe the plot of the register. Sometimes there is unfortunately not possible, because when the covers were commissioned, it comes months before the register, so there is not just the story and you go on these images "only" compelling. There he focuses on technique, we say: I do a pretty captivating image, a pose pussy, and I try to do well with that. At other times just trying to tell something more, just as the aforementioned cover of Cap, which is perhaps where the work was a little heavier: there was a specific request, a historic states, the Second World War II, was Captain America who was thrown from the castle with a sunrise behind the shooting and the Nazis. A lot of things. There is a bit 'try hard to invent, maybe has a lot of ideas for the cover pussies, but then maybe you realize that the Nazi shooting is microscopic in size.



Once you have found the idea, or at least what I think might be appealing way to realization. The technical implementation is actually very simple. I do not do nothing but make this first sketch, in reality they are smaller sketches. Chose the one that will be realized, all I do is expand on A3, and from there to go and finish more and more with a pencil. So what I do then is to build a half-tone, basically done with the airbrush and watercolor, which is a mixed media to get stained. This is why I had the original black and white, I make the first practical point of view! If Corrections ask me I already I've got a color change and repeating another color, then threatens to ruin the original and create only chaos. So, using the virtual program Photoshop this thing is actually a lot easier. For the interior there is a difference, because this technique it is difficult to use, just for a fact that requires more time. A cover on average, from when I start to bring sketches when it's over, I work 3:00 to 4:00 days. For a table of the average time a page is a table over a day in pencil and ink colors in one day and then the next. I speak clearly to release 22 tablets per month, or as in the last case with Tron, I'm 32. So there is yet a further delay. Internally at the technical level is easier, sometimes things are done directly in digital and sometimes just simple pencil and ink.

To make the adaptation of the movie Tron, you've got to see the film? What is?

Adaptation of Tron, in reality is nothing but the prequel to the movie Tron Legacy coming soon in theaters. In practice, it is the first film adaptation, however, with the integrated parts that are to be attached to various points of the plot that basically speaks a game programmer absorbed by a computer in the virtual world. I should also note the most careful review on a visual level of some characters, if we want a rejuvenation. We must consider that the starting material is still a film of the 80s, became a true cult film work as the first to introduce computer graphics with players taken at depths of non-existent.



Some might think it's a job easy enough to repaint the frame where, but in reality it is not, as they are two languages \u200b\u200bthat look like they are very different : sometimes it serves as well on that video does not work in a comic book and vice versa.

Mirco Thanks for being with us!

Stay tuned!

Leonardo Monzio Compagnoni - Artistic Director of Bergomix
infobergomix@excite.it

Monday, October 11, 2010

What's The Meaning Of The Livestrong Wristband

Bergomix 2010 ... Stolen shots

Here are some photographs on the evening held at the Evolution Cafe. Enjoy!

Luca Rota Nodari Madama Twirly gives to its original design of pride

Ines Cattaneo and Paul Bridges have played an original sketch of Spawn and Magdalena

The Artistic Director poses with the four cosplayers

The Artistic Director poses with the Evolution Cafe owner and two cosplayers

The smiling Cristina Giorgilli

The final cosplay skit of Paul and Ines

Matteo Freddi work

Cristina Giorgilli work

Luca Rota Nodari work

These are some of the pictures taken during the event. All other can be found on the facebook group "Friends of Bergomix. What are you waiting to sign up?

Stay with us, because the updates and still is far from taking Bergomix a break!

Leonardo Monzio Compagnoni - Artistic Director of Bergomix

Sunday, October 10, 2010

Nj Basketball Officials

ALSO A WONDERFUL STYBAR Ruddervoorde

Zdenek STYBAR continues his streak of victories by winning the inaugural event, the SUPERPRESTIGE also a place for Ruddervoorde.Secondo Aernouts, which has sustained the pace of world champion until the last lap for third and Sven Nys.

Monday, October 4, 2010

Where Should I Buy Hidden Blade

LOMBARDY TROPHY TEST RESULTS ^ 2

Open: 1,
Samparisi Simone (DD Team Della Bona)
2 nd Andrea Marcelli (Colnago Filago Arreghini)

Under 23: 1,
Braidot Daniel (ASD Team Bikes Ragusa FRW)
2 ° Fabio Todaro (Selle Italy Guerciotti)
3 ° Samparisi Nicolas (DD Team Della Bona)
4 ° Acquaviva (Team "999" Coffee Mokambo)

Open Women: 1,
Stefania Vecchio (Selle Italy Guerciotti)
2 ° Cucciniello (Selle Italy Guerciotti)
3 ° Valentini Elena (GS-cycles Fiorin Despar Asd)
4 ° Ilenia Lazzaro (L'Arcobaleno Carraro Team) 5 °
Dotti Jasmine (Gs-cycles Fiorin Despar Asd)

Juniors:
Samparisi 1, Lorenzo (DD Team Della Bona)
2 ° Pedant Francis (ASDFerrometal Cycling) 3 °
Thomas Caneva (DD Team Della Bona)
4 ° lenses Adriano (Ciclimontanini Alice)
Sottocornola 5 ° Andrea (UCAB Biella)

Students:
Bertolini 1, Joel (Team Della Bona DD) 2 °
Manuel Todaro (SC Cadrezzate)
3 rd Nicola Martinelli (Melavì Tirano Bike)
4 ° Pellizzato Marco (CS Libertas Scorzè)
5 th Luke Andreatta (CS Libertas Scorzè)

Female students:
Fontana 1, Jenny (Melavì Tirano Bike)
2 Gariboldi Rebecca (Lissone Mtb Asd)
Michieletto 3 ° (CS Libertas Scoresby)

Beginners: 1, Caneva
Mauro (Asd - Bike Alpin Edilbi Team) 2 °
Franzini Alex (Melavì Tirano Bike) 3 °
Recalcati Christian (Muggiò Fiscal Office)
4 ° Trambaiolli Matthew (Ciclamanti Senago)
5 ° Mazza Federico (Colnago Filago Arreghini)

Women Beginners:
1, Silvia De Piaz (Melavì Tirano Bike)
2 ° Rita Meda (Team Oliveto Asd)

Silicone Pads For Scars

HORNA Pussy Pussy

1 Andrew Bambula (Cze) 0 : 57:47
2 David Kášek (Cze) 0:01:10
3 ENGINEERING Karel (Cze) 0:02:04
4 Hunal Martin (Cze) 0:02:13
5 Jiri Friedl (Cze) 0:02:30
6 Martin Haring (Svk) 0:02:37
7 Matej Lasak (Cze) 0:03 : 07
8 Milan Barenyi (Svk) 0:04:00
9 Ivo Plevak (Cze) 0:04:27
10 Bretislav Rohel (Cze)

Kates Playground Chair Stream

BAMBULA VICTORY TO VICTORY

1 Andrew Bambula (Cze) 0:57:47
2 David Kášek (Cze) 0:01:10
3 ENGINEERING Karel (Cze) 0:02:04
4 Hunal Martin (Cze) 0:02:13
5 Jiri Friedl ( Cze) 0:02:30
6 Martin Haring (Svk) 0:02:37
7 Matej Lasak (Cze) 0:03:07
8 Milan Barenyi (Svk) 0:04:00
9 Ivo Plevak (Cze) 0:04:27
10 Bretislav Rohe (Cze)